The first time we glimpsed the titular hero of “My Son Hunter,” a chaotic, low-budget movie launched by conservative website Breitbart last week, was seen entering a Los Angeles nightclub (the movie, in fact, was in Serbia, sort of lo. Los Minds.) Pictured from behind in which dynasties look like a single take, like the reduced Henry Hill entering Copacabana in”GoodFellas‘ Hunter Biden, the president’s son (played by British actor Lawrence Fox), happily makes his way across the venue; inhales a line of cocaine before dumping more than half on the floor dramatically, if inexplicably; and enters the VIP room, where he begins By telling everyone what it is. “My friends, it’s fucking party time!” He flourishes, as he settles in to watch the grotesque dancers dance under the watchful eye of a girl presenter named Lorenzo, who decides, as one often does in a tape show, to proclaim their consciences to the audience before the performance begins. At one point, a dancer named Kitty smashed the fourth wall,”The Big ShortLike, turn to the camera and say, ‘Don’t judge me. I’m doing this to pay off college debts.”
This is what American liberals want, and the movie seems to suggest: powdered drugs. club rats who are fickle about their confusing gender identities; Skirt-clad dancers ditch their feminine dignity in order to get an education (wait, who’s to blame?). But “My Son Hunter” has ambitions beyond offering a cultural critique of the corrupt democratic universalism. Its stated intent is to expose the alleged corrupt working relationship between the president and his son. The film promises to include, among other things, “sex, prostitution, drugs, nepotism, money laundering, more sex, a laptop from hell,” not to mention “Chinese spies and Ukrainian businessmen” and “Sell America.” As they say, don’t threaten me to have a good time!
Hunter, now 52, has lived a traumatic life. As a child, his mother and infant sister died in a car accident; Then, in 2015, he lost his brother, Beau, President Biden’s eldest son, to a brain tumor. For most of his life, he struggled with drug and alcohol addiction. (“It’s an endless tunnel,” he told this magazine, in A 2019 Profile. “You don’t get rid of it.”) However, in recent years, there has been a widespread fascination with the elements most evident in the Hunter saga, which reads as a mixture of prime-time soap “Dynasty” and villain history”please kill me. There’s his romance with his late brother’s widow; his 2019 marriage to Melissa Cohen, a woman he met a week before the wedding; the prostitutes and crack-busters who reportedly sent him meandering between luxury hotels and motels; and the Arkansas woman who raised him on paternity of her child in 2019. From a narrative perspective, these tales set Hunter as a lustful alternative not only to Trump’s desperate children who are desperate for their father, but also for their own bloodthirsty children. Biden’s ticket itself. (As a friend of mine once tweeted, “Hunter Biden is Hunter Thompson of our generation.” ) In October 2020, twenty days before the last presidential election, a cache of leaked emails and photos was added to a mess. Later captured by the FBI – to a life mired in drug abuse, brutal sex, family strife and complex business deals.
The laptop, which Hunter and his lawyers have neither confirmed nor denied it belonged to, was first reported by New York Mail, while mainstream news organizations have treated it with skepticism. (It recently emerged that Twitter and Facebook, too, squashed the story in the run-up to the election, worried that it was part of a disinformation campaign.) Conversely, Donald Trump supporters believed the files were a “smoke gun” – evidence of the president’s involvement. Biden’s misbehavior in his son’s business deals with Ukraine and China. The laptop also serves as a narrative location for “My Son Hunter,” a potent drink in which Hunter’s shortcomings are seen as mere outward signs of a deep political conspiracy reaching the liberal pinnacle. It’s a story that, according to actor Dean Kane, in an interview at the movie’s premiere, “must have been told, and not been told by the mainstream media.”
Kane, whose most memorable role was as the lead man on the mid-90s ABC series “Lois and Clark: The New Adventures of Superman,” has been better known in recent years for his conservative views. Although he is not part of the cast of “My Son Hunter”, his profile matches that of many of the film’s central players. Among them is film director Robert Davey, a singer and actor mostly known for his performances in 80s and 90s films (a tough take on Richard Donner’s adventures “The Goonies”; lousy strip club owner in Paul Verhoeven’s beloved turkey “Showgirls”), but who recently found his ability to promote Trump online; Actress Gina Carano, who was kicked out last year from the TV show “The Mandalorian” after she posted on Instagram a comparison between the supposed persecution of American Republicans and the persecution of Jews during the Holocaust; Fox, who played the son of the Marquis in Gosford Park in 2001 and who, twenty years later, ran for mayor of London under his Redemption Party, which seeks to fight political correctness, won 1.9 percent of the vote. None of these numbers are what we would call an A-list, which makes “My Son Hunter” seem like a conspiracy movie on at least two levels – Hollywood’s betrayal of these industry aspirants matches the alleged deception of the American people by the president and his son. The humiliating and courageous atmosphere of the project reminded me of star power loophole This was Trump’s inauguration.
Technically, Davey’s movie rollout was muddled and inept. Although “My Son Hunter” prides itself on being a movie “liberals don’t want you to see,” it often seemed like Breitbart didn’t want me to watch it, either: hours of access to the movie via Via Dolorosa was from error messages, and” Unsent “monitoring codes”, and seemingly endless login attempts, all for the hefty price tag of $22. (Much for the efficiency of special projects). This reflects the prickly nature of “My Son Hunter” itself, who is amateurish, often deceptive, if sometimes very vulgarly funny, sarcastic, vice, thriller, vice, melodrama, vice, propaganda, member, who switches between modes with no Expect head rotation for a surreal cut. Hunter is a laughably decadent character, but the painted-faced fox has little to no good looks and charisma that Hunter does. However, he is a smoky, loose-fitting, woman-loving horndog who adores the good life, which we can tell from the wild party he throws at a dozen strangers in his bungalow on the set of supposedly Château Marmont. (Checking John Belushi’s familiar name–“[He] He died in the next hut. . . . He had a few demons”—weirdly clashing with what the movie imagines to be the famous luxury bohemian hotel, complete with company art on the walls that looks like it was borrowed from the Radisson Hotel in Dubuque.) To heighten the chaos, sometimes animated elements invade the screen, as when A party guest’s little dog pops bubbles in which it thinks it’s introducing itself to Hunter as “Shirley” and warns him that everyone in the room is “Independent Loaders,” or when a cartoon image of a frantically beating bar flashes on the screen to represent Hunter’s heart after he With a font, only to be puzzlingly shown that it slows down the roll after being hit by a crack.
Much like his son, the boss (played by John James, the mainstay of the “dynasty”) also appears to be in a near-constant state of inappropriate arousal, sniffing at the hair of a Secret Service agent, played by Carano, and pointing to Tara Reade, the aide who has accused him sexually assaulted, as “a young lady with a good smell”. Relying on the lack of real evidence, the film also portrays the elder Biden as a criminal criminal who receives kickbacks from shady international deals orchestrated by his son. (“Sure, there’s still my dissent!” Hunter told menacingly, at one point.) One particularly crazy sequence intended to illustrate this corruption involves Biden dancing with three Ukrainian oligarchs and a whore as dollar bills rain down on them and the sounds of the “rap” track. . (Among the chosen lyrics: “This is how we play….I’m chopping my shovel.”) Moreover, Joe is also, at the same time, a senile nincombob, referring to Hunter’s laptop as a “top lop” and remembers nothing about “Corn Pop”. (“He was a bad guy!”) Large portions of the film are devoted to the confusing “re-connections” of Hunter’s dealings with Ukraine and China, scenes that more than anything else look like a mixture of Wikipedia-style summaries with a really bad wig. It is a country that shares its eastern border with Russia. And that eastern region is rich in fossil fuels, so Russia desperately wants them. “